Showing posts with label finale. Show all posts
Showing posts with label finale. Show all posts

Monday, June 29, 2009

Lost: The Incident Pt. 2 (Season Finale)

And now, FINALLY, part 2 of the Lost season finale. (now that Doc Jensen has finally filed a new column I figured I'd better post this)

Play...

1:03 - Okay, I am officially going crazy. Either that or it was providence that it's taken me forever to re-watch the second half of this episode (for the fourth time, actually, but the first in weeks). Right after Richard tells Locke that the foot of the statue is where Jacob lives, there is a shot from behind Richard, Sun, and Locke. Above Locke's head there is either a wisp of black smoke, or it's a wave breaking on the rocks in the background. After a few views I'm pretty certain it's a wave, but there have been plenty of misidentifications in Lost, I'm kinda glad I got to see one. It's like seeing a strange light in the sky, even if it's not a UFO it's exciting for the few moments when you're not sure.

1:07 - I'm really glad we got to see the moment Jack refers to in the pilot, when he made a mistake during surgery and counted to five to calm down. Of course, when Jack tells the story he leaves out the part about how it was his father who ordered him to count to five and calm down, and that he got all whiney about being embarrassed by it. He also left out the part about Jacob touching his hand while handing him a candy bar, but he can be excused for that one (7 for 7).

1:12 - I've been trying to figure out for weeks now why Jack would claim that he wants to reset things for a second chance at Kate, and it's been a sticking point for a lot of people. Watching the scene again, I don't think he meant a word he said. Well, he meant the part about Locke's claims about destiny, because he has seemed convinced of that since the original "flash forward" when he yelled to Kate that they had to return to the island. Sawyer rolls his eyes at this idea, and remarks that he, "don't speak destiny." Jack thinks for a moment, and then spits out this drivel about having Kate, losing her, and wanting her back. What is possibly the only common ground between Sawyer and Jack all the seasons prior to this one? Kate. So Jack tries that, hopefully getting Sawyer off his back so he can resume his plan. The trouble is, Sawyer has changed. Like I said in part 1, lots of people expected Kate's return to cause Sawyer and Juliet's relationship to fall apart due to his romantic feelings...but they weren't there anymore. At least not to the extent that he would ruin his Dharma gig or blow up a bomb. So Jack was barking up the wrong tree, and he got punched in the face for it, repeatedly. Then Juliet, obviously less confident in Sawyer getting over Kate than I am, shows up to say that she's changed her mind, and Jack should be allowed to blow up Jughead and change the past. I'll get to the why of that later.

1:16 - Little Juliet learns her parents are getting divorced, she runs from the house crying, stating she doesn't want to understand why two people in love sometimes aren't meant to be together. No sign of Jacob, so no touch.

1:18 - Immediately we see that she has begun to understand this event, possibly too much. Seeing the way Sawyer looked at Kate earlier in the episode shattered her confidence in the relationship, and so she is onboard for erasing him from her life, so she never has to feel the pain of losing him. Apparently The Others never saw Eternal Sunshine of the Spotless Mind, but you have to think that it was a fear she has had since that turning point in her childhood, and so it was just a matter of time until something set it off. For me, this begins the true tragedy of Sawyer's story. Have you ever made an assertion, then changed, but still have that outdated assertion define you? Happens all the time with older relatives, like if when you were seven you said you wanted to be a fireman, and then when you're an adult they keep bringing it up, because to them you're still seven. Sawyer is still seven to those around him, and they still remember him jumping out of the helicopter to save Kate, and they still define him by the feelings that must have made him do that. I would contend that those feelings are gone, or at least seriously diminished, but when you do something as flashy as jump out of a helicopter to save a girl, people remember that. So now the 3 years he has spent living a normal life with Juliet, which has clearly had a major effect on him, can't compare to his flashy show of affection for Kate, even if it's no longer valid.

1:21 - Jack's reasoning goes much better with Kate, as she reveals she's back to find Claire to reunite her with Aaron and Jack points out that will happen automatically if the bomb works. We've got alarms, we've got steam, we've got an incident coming right up.

1:28 - Hurley is released from jail (thanks to Ben's lawyer) and he shares a cab with Jacob, who tells him he's blessed not cursed, and he is definitely not crazy. Jacob then gives him the guitar case he's see with at the airport, and tells him which flight to be on. After touching him on the chest, of course (8 for 8).

1:34 - When Locke reveals that Ben is coming in with him to see Jacob, Richard throws a bit of a fit. "Only our leader can request an audience with Jacob, and there can only be one leader on the island at a time," he exclaims. Locke asks if these rules are real, or if he just makes them up as he goes along, and reasserts that Ben is going with him. More on this in a minute, but what about Ellie and Charles? Weren't they co-leaders back in the Dharma days?

1:39 - Nice of Miles to point out the big question. Is the electromagnetism the incident, and Jughead will prevent it? Or, is Jughead the incident, and Jack will cause it? That's one of the things I love about this show. As though trying to blow up a nuclear bomb to alter history isn't enough, it gets wrapped in a little mystery that can't just be figured out. They have to choose an option and hope it's the right one, cause both acting and hesitating could be the worst mistake they ever made.

1:43 - Jack drops the bomb aaaannnnddd.....nothing. As Sawyer says, "this don't look like LAX." Then, the electromagnetic craziness starts.

1:44 - Barrels start flying, the drilling equipment is pulled into the hole, Jack is knocked out by a toolkit, Phil is killed by some metal bars, Dr. Chang's hand is crushed, but worst of all a set of chains wrap around Juliet's waist and pull her towards the hole.

1:45 - I referred to Sawyer's story as a tragedy, because it becomes almost like a Greek tragedy. I said earlier about how he jumped out the helicopter to save Kate, and ended up falling in love with Juliet instead. Now, as Juliet is being dragged down into the pit, he hangs onto her, desperate to save her, but can't. As she looks up she sees the beam supporting him is starting to split, and so she makes a similar decision to the one he made on the helicopter. He realized the helicopter wouldn't make it with all the weight, so they'd all die if someone didn't jump. Juliet realized if she didn't let go, she was going to drag Sawyer right down with her. So she let herself fall, sacrificing herself for him in a far more definite way then he did for Kate.

1:52 - How old is Richard Alpert? Ilana knows him as Ricardus, and he speaks Latin. I'm guessing he's pretty old. "What lies in the shadow of the statue?" she asks. "He who will save us all," Richard answers, in Latin. Pleased that he has passed the test, they show him what's in the crate they've been lugging around. It's John Locke, in his suit, just as he was when he was put in the coffin where they found him. So who the hell asked to meet Jacob?

1:57 - Oooookay, we're back in the room where Jacob was weaving back at the very beginning, and we have a scene just as cryptic and fascinating. So let's take it from the top. Ben and Locke wander around the room, with Ben paying particular attention to the tapestry that Jacob was weaving wayyyy back. Suddenly we realize Jacob is sitting in a far corner of the room, and asks if Ben likes the tapestry before talking about how long it takes when you have to make the thread, but how that seems to be the point. Maybe he's talking about the tapestry, maybe he's talking about the show's characters. "I did it myself," he says. The man in black on the beach accused him of bringing outsiders to the island, and we have since seen his involvement in the lives of various characters who ended up there. I imagine it does take a long time to create the overlapping situations of the characters' lives, especially if you have to form the "threads" that seem to run through their lives yourself. Fake Locke says hello, and Jacob remarks that Fake Locke has found his loophole. So it seems that Fake Locke is the man in black from the beach, and he needs Ben to kill Jacob not as retribution for what Ben has been through, but because he cannot do it himself. The Man in black orders Ben to do what he asked, and kill Jacob. Jacob tells Ben he has a choice, to do as he has been asked, or he can leave him and the man in black to work things out alone.

What follows is possibly my favorite Ben moment of the entire series, making it one of my favorite moments overall:
Ben: Oh, so now after all this time, you've decided to stop ignoring me. 35 years I lived on this island, and all I ever heard was your name over and over. Richard would bring me your instructions; all those slips of paper, all those lists. And I never questioned anything. I did as I was told. But when I dared to ask to see you myself, I was told, "you have to wait, you have to be patient." But when he asked to see you, he gets marched straight up here as if he was Moses. So, why him? Hmm? What was it that was so wrong with me? What about me?!
Jacob: What about you?
Of course, this response does not sit well with Ben, a man who has wanted nothing more than to be special and has worked his whole life toward that end. So he stabs Jacob, who stumbles forward to be stabbed again, before collapsing against Ben and sliding down to the ground. Once there he manages to cough out, "they're coming," to the Man in black. He doesn't seem too happy about this, and he kicks Jacob into the fire pit in the middle of the room, where he and Ben watch Jacob burn. A lot has been made of who Jacob was talking about, and much of that seems to revolve around the eight characters he touched, but I believe he is talking about Ilana and Bram, "the good guys" who seem to be the only people who know what's going on. Ben has never met Jacob, Richard knows what lies in the shadow of the statue but seems oblivious to whatever is pretending to be Locke, yet Bram and Ilana knew things before they were even on the island. In fact, in her flashback it's shown that Ilana has been working for Jacob, knowingly and directly, or quite a while. I don't think we're done with the Losties just yet, but I think Jacob is still the only one who knows the role they are yet to play.

2:00 - And cut to...white? Well, the Man in black did promise that things would be different after Jacob was gone, I just didn't know he was talking about the title card being inverted. The episode ended with Kate and Jack pulling Sawyer off the remnants of the crane just before it was pulled into the hole behind Juliet. Speaking of her, she awoke on the floor of the hole, and she wasn't alone. Jughead was lying next to her, and after 8 (there's that number again) whacks with a rock it finally exploded...depending on who you talk to.

What really happened? What does it mean? We'll find out in 2010. Annoying, yes, but at least Lost has a big, smart, and creative fanbase who will surely fill that time with plenty of crazy, awesome, and crazy awesome theories. Can't wait!

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Thursday, May 14, 2009

Lost: The Incident Pt. 1 (Season Finale)

Here Lost comes, and there Lost goes. A season of destiny, time travel, and beige jumpsuits has come to a bitter-sweet end. Bitter because it means Lost is over, sweet because that's what Lost season finales tend to be! This beast was two hours, so let's get to it.

Play...

0:03 - Lost's cryptic opening scenes might be my favorite things on television. They progress so slowly and smoothly, like a great magic trick, even when the fans are chomping at the bit for things to get moving. Here we get a man spinning thread and weaving a tapestry, then retrieving a fish from a trap and eating it on the beach. Could be anyone, at any time. Then we see the ship, sailing along the horizon; the Black Rock? Another man joins him and we see a familiar mountain in the background. This is our island, and the man is Jacob. A million theories about him just went up in smoke, but it doesn't matter when the mystery seems so much greater than the theories. What is he weaving? Who is the other man? Why does he want to kill Jacob? Why can't he? The first thing that struck me about this scene (other than the fact that the statue has a crocodile's face) was the mystery man's warning to Jacob that bringing the boat to the island would bring death and destruction, just like Locke said the freighter would when Jack wanted it to come.

0:07 - Long ago Jacob saved Kate as a child from being busted for stealing a lunch-box. Thanks buddy, without you she may never have turned to a life of crime, been caught by a federal marshal, or crashed on the island to become one of the most irritating characters in television history...okay, I'm calming down. He also gave her a playful tap on the nose (it's important).

0:11 - I love how the "trekking across the island" theme music has suddenly returned in the past two episodes as Locke leads the Others to meet Jacob. While I'm talking about that I guess I should mention what else just happened. Sawyer, Juliet, and Kate are all on the sub together, and typical annoying Kate is shocked, SHOCKED that Sawyer doesn't want to overthrow the sub crew to try and return to the island to stop Jack just because she wants to. I've read a lot of opinions over te past week about the Kate-Sawyer interactions in this episode and I think they're completely overlooking something. Sawyer wanted to stay on the island originally because he was somebody on the island, and Kate was part of that feeling for him. When he got zapped back to 1977 everything upgraded for him. He was THE MAN amongst the Dharma Initiative on the island. When Horace, the official leader, almost has his marriage fall apart he has enough respect for Sawyer to confide in him and ask his advice. He has a stable, happy relationship with Juliet, who is not annoying. Earlier in the season, it seemed obvious that Kate and Sawyer's romantic chemistry would ruin Sawyer's idyllic life. Instead it's Kate's sudden, inexplicable devotion to saving Ben that leads to the end of LaFleur, and Sawyer and Juliet on the sub having to start all over. So to me it's not that much of a shock that he doesn't want to go back, things are as over for him back there as they were off-island when we first met him.

0:21 - Jacob visits Sawyer as a kid, handing him a pen to finish his letter to the real Sawyer. Jacobs fingers graze Sawyer's as he exchanges the pen (trust me).

0:23 - I just figured out why Kate freaking out about the nuke annoys me so much. First of all, it's Kate, officially alone as my least favorite character now that Michael is dead. In order for me to support her I have to believe that Daniel Faraday, one of the most interesting and sympathetic characters on the show and a genius, is completely wrong that destroying the energy pocket prior to the "incident" will rewrite history allowing them to safely land at LAX. Alternatively, what if she KNOWS the plan will work, and is merely trying to scare people into helping her prevent a rewrite? Since flight 815 landing successfully means she's going to jail, as originally planned. What if she's selling out everyone else, ESPECIALLY the dead people, just to keep her freedom? Man I hate Kate! Anyway, she got Juliet on her side, which got Sawyer on her side. Why Juliet? Well, if Jack's bomb works it only affects the people who arrived on 815. They land in Los Angeles, but she'll still be stuck on the island, attempting to avoid the romantic advances of Ben. If she stays on that sub she still risks losing everyone, and being condemned to the island, so she has to try to stop it. In "Follow the Leader" Jack mentioned about how enough of their experience was bad to justify an attempt to reboot. Most of the good that happened to Juliet came from that plane crash, so why wouldn't she want to make sure it doesn't get erased from history?

0:30 - Jacob stops Sayid to ask for directions, causing Nadia to be killed in the hit and run that eventually lead to Sayid working for Ben. But at least he touched Sayid on the shoulder while showing him the map (3 for 3).

0:32 - I want to talk about Richard Alpert for a second, since he just chickened out of helping Jack and Sayid deliver the bomb. I've always liked him as a character just because of the simple mystery of a man who doesn't age. This season though we've gotten to know him better, and it's become clear that he's not the man with all the answers that he seemed to be. Normally that would be annoying, but I think it's added so much drama to the events of this season. He has spent a good about of it shocked and exacerbated. As he says to Locke earlier in the episode, he's seen a lot of things on the island that he can't describe, but still events like realizing Sawyer is from the future in 1974, or realizing Locke has come back from the dead are capable of shaking him to his core. This is a guy who has seen it all, but he has never seen anything like this season.

0:43 - Sawyer, Juliet, and Kate run into Rose and Bernard only to find they've been hiding in the jungle in an attempt to get some peace and quiet. People have complained about the scene being a bit heavy handed, but it was worth it just to rose respond to Kate's whining about the bomb with, "it's always something with you people."

0:48 - It's amazing how Lost can have interesting scenes about totally mysterious people and places, while not having to rely on revelations all the time. For instance, Ilana and company arriving at Jacob's Cabin. We still don't know what's in the box, we don't know if Bram is being honest when he refers to them as "the good guys," we don't know the deal with the ash, why the break in it is important, and we don't learn anything about the cabin. Still, I could watch this scene repeatedly, knowing I won't learn anything new, and I'll still be intrigued and entertained.

0:52 - Locke's dad pushes him out of an 8th story window, and there's Jacob. A touch to Locke's shoulder, and he gasps to life (4 for 4).

0:56 - I have to say, Locke made a pretty convincing case for why Ben would want to kill Jacob himself (the cancer, his daughter being killed, his banishment). Here's the only problem. Christian SPECIFICALLY corrected Locke that HE was the one told to turn the donkey wheel, HE was the one meant to move the island, so HE was the one who was supposed to be banished, not Ben. It's been a week, I've watched this episode...4 times I think? That's the first time it's dawned on me.

0:58 - Jacob at Jin and Sun's wedding, speaking excellent Korean, and touching them both on the shoulder while giving his blessing (6 for 6).

0:59 - Why would Hurley stop the Dharma van with Sayid bleeding inside and the "incident" ready to happen in mere minutes? Sawyer with a rife, flanked by Kate and Juliet in the middle of the road. Yep, that'll do it.

Pause.

Okay, I get the feeling my wrap-up is going to be HUGE so let's split it up. End of Part 1.

Thursday, May 7, 2009

Scrubs: My Finale

I'll admit it, Scrubs lost me. I was an avid watcher right through last season when it was still on NBC. I remember thinking at the time that "My Princess" was an unworthy end for the show, but after a lacklustre season I wondered if that was the best Bill Lawrence could do. That was unfair of me, since it wasn't really meant as any kind of true finale, but it made the end easier to take.

I retreated to the reruns on Comedy Central, telling Tivo to hang on to three at a time. It was a perfect number, enough to binge if I was feeling nostalgic, but small enough to remind myself I was "done" with Scrubs. When the show was picked up by ABC I meant to add a new Season Pass, but I never did. Each week reviews of episodes would pop up on TV Squad, and I'd tell myself to add the Season Pass...every week.

Last week when it was announced ABC had gotten involved with Hulu I said, "great, I can finally catch up on Scrubs!" Then today, I saw a post on TV Squad about tonight's episode being the finale. Before doing anything else I grabbed my remote and told Tivo to record. It was time to see what Bill Lawrence could do with an actual finale. Sitting here typing I can say, for sure, that I am officially done with Scrubs. In a good way though!

Play...

0:00 - Zach Braff has a beard now? And who's he in bed with? Can you tell I haven't watched this show in a year?
0:02 - Classic Scrubs flashbacks to J.D.'s first day. Is this going to be a clip show? Now I'm worried. I'm glad they didn't save J.D. and Elliot finally getting together for the finale (she was the one in bed with him, if you were wondering too) as I can't think of anything more anti-climactic. I think I'll take this chance to get two complaints about Scrubs off my chest before getting to the lovefest this will be at the end:
1. It's hard to feel bad for J.D. when he seems to be able to get beautiful girls whenever he wants, but is still supposed to be a love-lorn nerd. When Elliot broke up with her boyfriend for him, and he freaked out, realizing he only wanted her because he couldn't have her, I was never able to feel bad for him again. Did the show rely on me feeling bad for him later? You bet it did.
2. The jokes seem to go on for one or two lines too long at times, but it almost wouldn't be Scrubs without it. Perfect example at the start of this episode. J.D. attempts to guilt Elliot into morning sex after feigning offense at her starting to move in without consulting him:
Elliot: Are you seriously upset?
J.D.: I'm very upset, I don't think even morning sex could fix it...although it might
Elliot: Fine, do I have to move a lot?
J.D.: You never do anyway.
[There, you're good, joke launched and landed and...]
Elliot: True.
[Nooooo! You were so close!]
Yes I realize this is a successful and beloved comedy show, but the lovefest comes later. Right now could be my last chance to point out how in the past few seasons the writers seem to add useless lines to pad jokes, only serving to suck the funny out of them by doing victory laps around throwaway lines. Think I'm overreacting? Watch for how often characters say things like "niiice!" after other people's one-liners...sorry, I may have just ruined Scrubs for you. Okay, back to the episode at hand.

0:02 - Bob Kelso? Why is he back? He already had a great send off! Oh wait, they thought that was the last season at the time. I'll see where it goes. Unpause.
0:03 - See? Kelso zings Ted and they move right along without having to preen over it, not so hard righ...sorry. Unpause.

0:10 - Nice to see Dr. Cox's rants get wrapped up in such a nice package in J.D.'s handsome pleather-bound volume. Also, I really liked how they kind of covered the big three so early in the show. It's 10 minutes in and already Elliot has addressed the fact that she'll cry if she tries to say goodbye, Turk has given him a final "EAGLE!" spin and a big hug, and now Dr. Cox has belittled his show of affection. Turk might have been worried about his goodbye peaking too early, but I like the idea a lot. We knew these three interactions were coming, so now that they're out of the way we're in uncharted waters. Anything can happen now, and that's unusual for 10 minutes in a finale.

0:14 - Also great to see that J.D. has a final patient! Shows get so obsessed with wrapping things up in the finale they completely abandon the usual events that make up episodes. If Seinfeld was guilty of anything, it was guilty of this. So I was expecting an hour of goodbye after goodbye, creating an episode with no resemblance to the ones that kept fans coming back. Not the case, we have a patient, we have a patient's family member, this feels like Scrubs.

0:16 - Ah yes, J.D.'s original sin against the janitor; the penny that jammed the door on his first day. They could have gone with some extravagant prank by the janitor in an attempt to end it with a bang, but I love this idea so much more. Possibly the most persistent thread in this show has been the janitor's hatred for J.D. flowing from that single moment when he allegedly jammed a penny in the door, and that shall be their final battle. Game on!

0:24 - See? This is the comedy I love from Scrubs. J.D. alone with a patient, getting lost in a voice-over while still trying to do his job, and eventually messing up without any stupid manufactured drama or anger. Almost like a little sketch within the show.

0:26 - Welcome to the moment I fully relaxed and fell in love with this episode. The speculation before a show's finale is almost never, "what's going to happen," but usually, "how memorable will it be?" It's like Series Finale is the name of a show, and finales are merely episodes in one giant season, all judged by the same criteria regardless of what the show had been. Whether comedy or drama there MUST be big huge moments and it MUST be emotional. 26 minutes in, Bill Lawrence has said, "I'm not going to play your game!"
Here he calls out the expectations, revealing that the staff care more for Kelso's anti-climactic exit ("But you left a year ago. You got cake. He got cake!") than J.D.'s fresh one. Greatest is the moment when Bob asks J.D. what the thought the end would be like, and he responds: "I don't know, I guess I thought there'd be a lot of heartfelt goodbyes, and when I was finally ready to leave it'd be like one of those great old sitcom finales." Cue the overly melodramatic piano music that used to accompany every big emotional revelation in the show (which the show itself made fun of in recent years) and J.D. hitting a lightswitch, causing the entire hospital to lose power as patients code and the staff panics.
After that we get another powerfully understated goodbye from Kelso and you realize there's half the episode to go and the show has officially thrown off the chains of outside expectations. This is not a sitcom finale, this is the Scrubs finale.

0:32 - Carla and J.D. say goodbye, again they let the history of the characters make the moment, rather than trying to have the moment make history. J.D. is Bambi one last time, and it feels momentous.

0:34 - Another finale mistake is cooking up big reveals for the sake of revelations. One of the biggest reveals I've heard in a long time (keeping in mind I watched Lost before this); it really was J.D. who jammed the door with a penny on his first day! And the janitor knew! You know how when Lost has a big reveal it makes you want to re-watch the whole show to see how it affects things? Well now I want to watch every J.D.-Janitor interaction again. All the times J.D. laments the Janitor's crazy obsession with him, and now that we know it was valid. At least it was more valid than we thought. Huge!
0:43 - Janitor revelations part II: J.D. has never asked the Janitor's name. The likelihood of me re-watching every episode of Scrubs just increased. Also the Janitor pulls the old Joker switcheroo, is his real name Glen or Tommy? Is it something completely different? You decide.

0:45 - A series of heartfelt compliments from Dr. Cox? Sitcom finale expectations. Having him be tricked into giving those same compliments while J.D. hides in the background? Very clever. Now we've reached the final voice-over, the big finale of the big finale.
0:46 - Is it the character talking, or is it the cast and the crew?:
"Endings are never easy. I always build them up so much in my head that they can't possibly live up to my expectations and I just end up disappointed. I'm not even sure why it matters to me so much how things end here. I guess it's because we all want to believe that what we do is very important. That people hang onto our every word. That they care what we think. The truth is you should consider yourself lucky if you even occasionally get to make someone, anyone, feel a little better."
How perfect is this? It shows gratitude to the fans, and gives us a little insight into how everyone involved with the show is feeling. It recognizes our worry over the quality of the finale we're going to be getting, and assures us one last time that they know we repeatedly tuned in for the joy it brought us, not in the hopes that a big, random statement be made in the final episode. We tuned in, they made us feel happy, and sad, and lots of things inbetween. Now let's all just ride the wave out together.

0:48 - J.D.'s walk down the corridor as he leaves was like the Seinfeld finale condensed into two minutes, instead of dragged out over a whole episode. We got to see way more characters than I ever expected we would, and it just felt so natural. Those who had special catchphrases and moments got one last shot at them, while others only needed a smile and a nod. It reminded me of what actually happens when you leave something big like that. While you might be trying to reminisce all day, it's usually only on your final steps out of the door that things from long ago come flooding back. It's not your life flashing before your eyes, it's just that segment of it. Most important though, Bill Lawrence wasn't able to make me cry! Take that! Woo hoo! Hang on. Peter Gabriel? I don't like the look of this. Unpause.
0:52 - Damn you Bill Lawrence! *sniff*

Also, an extremely classy move to have the behind the scenes footage at the end. This was always a cast and crew with a special love for their fans, and I think it was fantastic to let everyone experience their personal goodbyes. The episode let us say goodbye to the characters, but showing the actors finish their final scenes let us say goodbye to them too.

So ends Scrubs...probably, definitely for me. I don't need anything more from this show. I gave up on it, forgot about it, and nostalgia sucked me back in just long enough to be fully satisfied. No point in tempting fate.

Status: Save Until I Delete